It was revived in London in 1995 at the Tricycle Theatre and then the Lyric Theatre, with Debby Bishop, Dawn Hope, Melanie Marshall, Sean Palmer, and Ray Shell. With some changes in personnel, the group appeared in three feature films – Hooray for Love, The King of Burlesque and Stormy Weather – and numerous short subjects. Oops, looks like your browser doesn't support HTML 5 audio. New Releases. All Rights Reserved. Watch the video for Ain't Misbehavin' from Louis Armstrong's The Ultimate Collection for free, and see the artwork, lyrics and similar artists. Fats also widened his audience by appearing regularly on WLW in Cincinnati, a radio station which at that time could be heard throughout the country. Larry Shackley. AIN'T MISBEHAVIN' is a musical revue with a book by Murray Horwitz and Richard Maltby, Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. From the Musical Ain't Misbehavin'. [6] A new cast recording has been made and is available on the Rhino label.[7]. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". His parents were deeply religious, and Fats started out playing the organ in the Abyssinian Baptist Church and studying classical piano technique. Ain't Misbehavin' Hello Dolly; Elf; ... Jr. with Music and Lyrics by Fats Waller Directed by Daryl Brooks. Its a famous tune by one of the /item/detail/G/Ain't Misbehavin'/2467587 Gargantuan is the word that most precisely describes Fats Waller. View credits, reviews, tracks and shop for the 1978 Vinyl release of "Ain't Misbehavin': The New Fats Waller Musical Show" on Discogs. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". The original cast featured Nell Carter, André DeShields, Armelia McQueen, Ken Page, and Charlayne Woodard. Choose from Ain't Misbehavin sheet music for such popular songs as Ain't Misbehavin', Honeysuckle Rose, and I'm Gonna Sit Right Down and Write Myself a Letter. Lyrics to Ain't Misbehavin' Broadway musical. Replacements later in the run included Debbie Allen, Yvette Freeman, Adriane Lenox, and Alan Weeks. You cant go wrong with this one! As a composer, pianist and singer, he wove comedy and music together so well that his songs are as fresh and funny today as they were fifty years ago. His overseas tours in 1938 and 1939 were triumphs, and in 1942 he gave a jazz concert at Carnegie Hall. Ain't Misbehavin'. Thomas Wright Waller grew up in the exciting musical atmosphere of Harlem in the teens and ’20s. With Nell Carter, André De Shields, Armelia McQueen, Ken Page. Richard Maltby Jr.-Wikipedia 49 … Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. Download sheet music for Ain't Misbehavin. The inimitable Thomas "Fats" Waller rose to international fame during the Golden Age of the Cotton Club and that jumpin' new beat, swing music. In another time and place Fats Waller might never have become a comedian and might have been the classical artist his parents – and perhaps he himself – wanted him to be. AIN'T MISBEHAVIN' (Music by Fats Waller, arranged by Luther Henderson, Jeffrey Gutcheon and William Elliott: Conceived by Richard Maltby Jnr.) The saddest fact is that most of Fats’s 500 or so compositions have been lost; many were not recorded, and music publishers were unable to provide sheet music to more than a few tunes. Perhaps the key to the musical's approach, as conceived by the director Richard Maltby Jr., is its willingness to let Waller speak simply and eloquently for himself, through his art but without show-biz embroidery. "[1] Its reception was such that it was decided to develop it into a full-scale production. BROWN Co-production with Westport Country Playhouse. Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby, Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. He also began working with Harlem stride-piano masters like James P. Johnson and Willie “The Lion” Smith, although his father insisted that jazz was “music from the devil’s workshop.” Soon he was accompanying the silent pictures at the Lincoln Theater on 135th Street and making his reputation at uptown rent parties – those all-night affairs so fondly remembered in “The Joint Is Jumpin’”. The Harlem Renaissance of the 1920s and 1930s comes to life in the three-time Tony award-winning musical revue, Ain't Misbehavin’.Join five performers on a journey through the timeless music of Thomas “Fats” Waller. Words by Andy Razaf, music by Thomas "Fats" Waller and Harry Brooks / arr. Ain't Misbehavin' is one of the most popular, well-crafted revues of all time and winner of the 1978 Tony Award for Best Musical. Complete soundtrack list, synopsys, video, plot review, cast for Ain't Misbehavin' show. The musical is a tribute to the black musicians of the 1920s and 1930s who were part of the Harlem Renaissance, an era of growing creativity, cultural awareness, and ethnic pride, and takes its title from the 1929 Waller song "Ain't Ain't Misbehavin' opened in the Manhattan Theatre Club's East 73rd Street cabaret on February 8, 1978. His appetites and his talents were large and inexhaustible. SATB Choral Octavo. Visit www.OnGuardOnline.gov for social networking safety tips for parents and youth. "Ain't Misbehavin'" is a 1929 stride jazz/early swing song. 800 likes. Song information for Ain't Misbehavin' - Louis Armstrong on AllMusic AllMusic. The party that was Fats Waller’s life ended suddenly, when he died of pneumonia aboard the Santa Fe Chief in 1943. The musical opened on Broadway at the Longacre Theatre on May 9, 1978, and transferred to the Plymouth Theatre and then to the Belasco Theatre and closed on February 21, 1982, after 1604 performances and fourteen previews. Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. Five performers present an evening of rowdy, raunchy, and humorous songs that encapsulate the various moods of the era and reflect Waller's view of life as a journey meant for pleasure and play. Andy Razaf wrote the lyrics to a score by Thomas "Fats" Waller and Harry Brooks for the Broadway musical comedy play Connie's Hot Chocolates. With Rory Calhoun, Piper Laurie, Jack Carson, Mamie Van Doren. Buy Aint Misbehavin by Fats Waller/arr. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. Many of the songs in Ain’t Misbehavin’ are being heard for the first time in half a century. Blog: The Highs and Lows of Highlights Albums. Featured New Releases ... Louis Armstrong [Time Music] Time Music: 3:12 : 2002 : Louis Armstrong. Fats was as generous as he was overindulging, and stories of his bigheartedness and high-living abound. Elkie Brooks (born Elaine Bookbinder on 25 February 1945, Broughton, Salford, England) is an English singer, formerly a vocalist with Vinegar Joe, and later a solo artist.A professional singer since she was fifteen, Brooks' début, a cover of Etta James's "Something's Got A Hold On Me", was released on Decca in 1964. A professional duo performing a "Musical Cocktail" for all tastes - ranging from the American songbook, through blues, folk rock, pop & self-penned songs A cast of five singers perform the music and celebrate the freewheeling spirit of Harlem musician Thomas "Fats" Waller. He consumed enormous quantities of food and liquor. He bought instruments for down-and-out musicians, loaned money to friends without being asked and treated himself to a $10,000 Lincoln automobile. Listening to the joy and laughter of Ain’t Misbehavin’, though, we can revel in his genius and say right along with him, “One never knows, do one?” Many of the songs in Ain’t Misbehavin’ are being heard for the first time in half a century. Directed by Edward Buzzell. Though almost bereft of dialogue, this musical anthology expands beyond its form to become a resurrection of a great black artist's soul. An original cast recording was released by RCA Victor. A Celebration of Black Music in America [Box Set] album - including song video, artist biography, translations and more! When he was still in his early 20s Fats began his collaboration with lyricist Andy Razaf; they scored their first success in 1928 with “Keep Shufflin’.” The next year was miraculous: Fats – only twenty-five years old – and Razaf wrote the score for the Broadway hit Hot Chocolates (which included “Ain’t Misbehavin’” and “Black and Blue”) as well as “Honeysuckle Rose,” “I’ve Got a Feeling I’m Falling” (lyric credited to Billy Rose) and a host of other distinguished tunes. Fats’s records, which began with “’T Ain’t Nobody’s Biz-ness If I Do” in 1922, spread his fame across the United States and around the world. He conceived and directed the only two musical revues to win the Tony Award for Best Musical: Ain't Misbehavin' (1978: Tony, N.Y. In doing the research for this production we compiled perhaps the first comprehensive collection of Waller’s music, and we ended up giving some publishers copies of songs they own. I'm Gonna Sit Right Down and Write Myself a Letter, Best Performance by a Featured Actress in a Musical, Outstanding Variety, Music or Comedy Series, Individual Performance in a Variety or Music Program, "Ain't Misbehavin'(London Revival, 1995)", "Ain't Misbehavin': The Fats Waller Musical Show (1995 London Cast Recording)", "'Ain't Misbehavin' (1996) Track Listing, Synopsis, Background and Cast Credits", "Ruben Studdard, Frenchie Davis to Tour in Ain't Misbehavin, Grammy Award for Best Musical Theater Album, How to Succeed in Business Without Really Trying, Sweeney Todd: The Demon Barber of Fleet Street, Cats: Complete Original Broadway Cast Recording, Les Misérables: The Complete Symphonic Recording, Smokey Joe's Cafe: The Songs Of Leiber And Stoller, A Funny Thing Happened on the Way to the Forum, https://en.wikipedia.org/w/index.php?title=Ain%27t_Misbehavin%27_(musical)&oldid=1017254304, Articles with dead external links from June 2017, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License, Outstanding Achievement in Music Direction, Outstanding Sound Mixing for a Variety or Music Series or Special, Outstanding Technical Direction, Camerawork, Video for a Miniseries, Movie or a Special, Outstanding Video Tape Editing for a Limited Series or a Special, This page was last edited on 11 April 2021, at 18:51. AIN’T MISBEHAVIN’ The FATS WALLER Musical Show The Harlem Renaissance of the 1920s and 1930s comes to life in AIN'T MISBEHAVIN’, the three-time Tony© Award-winning musical revue.Join five sensational performers on a journey through the timeless music of Thomas “Fats” Waller. The success of Fats Waller’s records, movies, radio appearances and tours made him one of the first American superstars. Rowdy young girl crashes high society when wealthy older man falls for her. © 2021 Sony Music Entertainment. More of this music – and that of other composers and lyricists – will be lost unless care is used to stop the sad erosion of a precious national resource. It was there, in 1932 and 1933, that he formed the band known simply as Rhythm, with which he achieved his greatest success. Check out Ain't Misbehavin' (Original Broadway Cast Recording) by Original Broadway Cast of Ain't Misbehavin' on Amazon Music. "[4], In 1995, a national tour directed and choreographed by Faria starred the Pointer Sisters, Eugene Barry-Hill, and Michael-Leon Wooley. His friend and teacher, James P. Johnson, once said, “Some little people have music in them, but Fats, he was all music, and you know how big he was.” He was 5 feet 10½ inches tall and weighed 285 pounds. Often, however, his alimony troubles would leave him broke and in jail.,writing songs for Tin Pan Alley publishers in exchange for bail money. Lyrics to Ain't Misbehavin' by Fats Waller from the Say It Loud! The finale of Ain’t Misbehavin’, in fact, is made up of some of the songs written by others that Fats Waller made hits. On June 21, 1982, NBC broadcast the revue with the original Broadway cast. The musical is a tribute to the music of Thomas "Fats" Waller. The saddest fact is that most of Fats’s 500 or so compositions have been lost; many were not recorded, and music publishers were unable to provide sheet music to more than a few tunes. Sponsored by Hermine Drezner Ain't Misbehavin' THE FATS WALLER MUSICAL SHOW Conceived by RICHARD MALTBY, JR. and MURRAY HORWITZ Directed & Choreographed by CAMILLE A. He was probably the greatest combination of musician and comedian that America has ever produced. "Ain't Misbehavin'" is a musical revue with a book by Murray Horwitz and Richard Maltby Jr., and music composed by or made famous by Fats Waller. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Ain’t Misbehavin’, a hot, Texas swing band featuring twin fiddles, smooth sax playing, powerful vocals and solid rhythm It was in that same year that Fats signed a contract with Victor, the company for whom he performed until the recording ban of World War II. Rich, Frank. [2] A London revival cast recording was released by First Night.[3]. It seemed that he could make any tune sound entertaining. "Review/Theater;A Harlem Legend Lives Again On Broadway". 484 likes. AIN’T MISBEHAVIN’ – The New FATS WALLER Musical Show Based on an idea by Murray Horwitz and Richard Maltby, Jr. starring (in alphabetical order) Nell Carter Andre De Shields Armelia McQueen Ken Page Charlaine Woodard Music supervision, orchestrations and arrangements by Luther Henderson Pianists: Luther Henderson & Hank Jones Vocal arrangements by William Elliott Musical numbers staged by Arthur Faria Conceived and directed by Richard Maltby, Jr. Thomas “Fats” Waller definitely gained a new audience when this exuberant revue opened at the Longacre Theatre on May 9, 1978, for a run of 1,604 performances. It was a time when Manhattan nightclubs like the Cotton Club and the Savoy Ballroom were the playgrounds of high society and Lenox Avenue dives were filled with piano players banging out the new beat known as swing. He was in every way immense and prodigious. Maltby was the director, with musical staging and choreography by Arthur Faria. Televised version of the Broadway sensation celebrating the music, life and times of 'Fats' Waller, featuring 29 songs he wrote or performed. The West End production opened on March 22, 1979, at Her Majesty's Theatre. He always let you know that there was at least one more joke inside the one he had just told. DeShields and Woodard were joined by Evan Bell, Annie Joe Edwards, and Jozella Reed. Print instantly, or sync to our free PC, web and mobile apps. He was all laughter too – or almost all – and the most persistent image of Fats is the picture of him settled down at the piano with a bottle of gin nearby, his eyebrows raised, his derby askew and a cigarette dangling from his wide, cockeyed smile. And he never lost his love for the c1assics – his organ performances of Bach are legendary. A Broadway revival with the same director, choreographer, and cast as the original 1978 production opened on August 15, 1988, at the Ambassador Theatre, where it ran for 176 performances and eight previews. Ain't Misbehavin' (Original, Musical, Revue, Broadway) opened in New York City May 9, 1978 and played through Feb 21, 1982. Directed by Don Mischer. With stellar performances by its quintet of headliners, including Nell Carter and Ken Page, it also brought back to the theatre district a genre that had long gone into oblivion, and paved the way for other shows like Eubie, Sophisticated Ladies and Bubbling Brown Sugar, among others. The inimitable Thomas "Fats" Waller rose to international fame during the Golden Age of the Cotton Club and that jumpin' new beat, swing music. Audiences are transported to a nightclub during the Harlem Renaissance where the music and excitement of the 1920s and 1930s are in the spotlight courtesy of the great Thomas Wright “Fats” Waller. Ain't Misbehavin' Broadway. Synopsis. Vocal Selections From the Broadway Musical Ain't Misbehavin the New Fats Waller Musical Show. The New York Times reviewer wrote: "The show moves with the zing and sparkle of a Waller recording-filled with bright melodies and asides. First LP release: July 11, 1978. Luther Henderson, who adapted Waller's music for the revue, appeared as the production's original pianist. Some of Fats’s best work is gone forever due to negligence, racial discrimination, the nature of the music business back then and Waller himself, who on more than one occasion sold away the rights to a song for – well, for a song. Drama Critics, Outer Critics, Drama Desk Awards, also Tony Award for Best Director) and Fosse (1999: Tony, Outer Critics, Drama Desk Awards). It is named after the song of the same name by Fats Waller (with Harry Brooks and Andy Razaf). The cast included Irene Cara, Nell Carter, André DeShields, Armelia McQueen, and Ken Page and was staged by Arthur Faria, now recognized as one of the original authors, and directed by Maltby. Fats’ musicianship was highly regarded, especially in Europe, where jazz was probably taken more seriously than in the United States. Thomas "Fats" Waller. Here's a jammin' and jivin', red hot, razzmatazz setting of the title song from the musical Ain't Misbehavin', just perfect for show, jazz, or concert choirs. Ralph Ford at jwpepper.com. [5], Beginning in November 2008 and lasting until at least May 2009, season two American Idol contestants Frenchie Davis, Trenyce Cobbins and winner Ruben Studdard starred in the 30th anniversary national tour of the show. Jazz Sheet Music. Assembled under the expert eye of director/lyricist, Richard Maltby, Jr., Ain't Misbehavin' is one of the most popular, well-crafted revues of all time and winner of the 1978 Tony Award for Best Musical. Boyd-Quinson Mainstage TONY AWARD WINNER — BEST MUSICAL This evening of unforgettable music made famous by Fats Waller includes “Honeysuckle … It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'". ... Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Ain't Misbehavin' Swing Band. As a musician, Fats raised the art of stride piano (cleverly defined in “Handful of Keys”) to its highest level and in so doing became one of the originators of swing music. Although it never reached Broadway as originally planned, a recording of highlights from the show was released by RCA. Song information for Ain't Misbehavin' - Louis Armstrong on AllMusic.
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